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7 Secrets to Getting More from Google AdWords

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Let’s say your Google AdWords budget is $50,000 a year. You’re competing against much larger companies with budgets several times larger. That means they can bid much more than you on the key words or phrases where you want your ads to appear. You’re out of luck, right? Not necessarily. Bidding for keywords on Google is not a straight auction. Instead, Google assigns each ad a Quality Score, a number between 1 and 10 that reflects whether Google thinks its users will like your ad and the web page it links to. That number influences how high your ad will rank in an auction. A higher Quality Score means you can outrank competitors with higher bids, and get much more for your advertising dollar. “Doubling your Quality Score means you only have to pay half as much per click,” explains Frederick Vallaeys, AdWords evangelist at Google. Okay, you’re sold on the idea of raising your Quality Score. How do you do it? Here are tactics that can really help. 1. Don’t run ads users won’t click on. Let’s just try this ad and see if anyone clicks on it. After all, since it’s pay-per-click, if they don’t click it costs us nothing. That may seem like good logic, but it’s a big mistake. Click through rate (CTR) is one of the most important elements of Quality Score, so if an ad for your company runs and users don’t click it, it can lower your Quality Score, thus costing you more to run the same ad or even other ads in future. (Google assigns Quality Scores to ad groups as well as advertising accounts, so a bad CTR can hurt you in many ways.) Constantly testing slightly different wording and picking the ads with better CTR will help you not only by bringing you more customers but also by lowering your cost per click. 2. Divide and conquer. “We used to get 2,000 keywords in one group of ads that sent everyone to the same page,” says Howie Jacobson, author of Google AdWords for Dummies. “What we’ve learned is that it’s better for both Google and for advertisers if we divide those into groups of a few words each that relate to a common desire and then send users to a dedicated landing page. For example, if I sell camera supplies, instead of grouping ‘Nikon,’ ‘Canon,’ ‘point and shoot,’ and ‘SLR’ into one ad group, I’d break it down. I’d have an ad group that related only to batteries for Canon PowerShot cameras, and someone who clicked on that ad would go to a landing page with links to those specific batteries.” “A small company can refine its budgeting and bid on very specific key phrases that a larger company might not,” adds Peter Levin, manager of paid search at LSF Interactive, an online marketing company. “Small companies can use this to their advantage.” 3. Get rid of keywords that aren’t helping you. David Sarment, D.D.S. reports that new customers from Google increased dramatically with a few small changes to his AdWords strategy. One of these was changing the keywords his practice bid on. “I treat gum disease and I also do implant, bone grafts, and bone reconstruction surgery,” he explains. “So I had two distinct campaigns, one around ‘dental implants’ and related terms, the other around ‘periodontal’ or ‘gum disease.’ Dental implants are a hot topic so the effect of that ad campaign was diluted. At some point, I decided to stop the dental implants campaign and focus on the gum disease side. It worked out well because there were a lot fewer ads popping up for patients interesting learning about gum disease.” For LoopFuse, a marketing automation company, better keyword performance meant avoiding keywords that fit its market, but were too general. “We have a lot of competitors in our space, but we specifically target small and mid-size businesses,” says Sean Dwyer, CEO. “Bigger companies might outbid us on ‘lead management’ so we targeted ‘lead management SMB’ searches. Homing in on our market has been essential to our AdWord success.” 4. Add content to your website and landing page. “Having useful content is one of the big things that will help your Quality Score,” Vallaeys says. “We warn people not to repurpose content from other sites. We want unique content, a variety of content, and frequently updated content. We believe this leads to a better user experience.” To Jacobson, all this adds up to one piece of advice. “I tell all my clients to get a blog,” he says. “There’s no business that can’t position itself as a source of credible information. It doesn’t matter whether you’re selling office supplies or microsurgery equipment. People use Google because they don’t know what to get yet and are seeking information. So positioning yourself as expert is great for your Quality Score, and it’s great for your customers who are usually looking for someone to trust.” 5. Give users choices. You may want your landing page to urge users toward a strong call to action, such as “Click here to learn more about our product” or “Sign up for our free e-newsletter.” But Google wants users to have a wide array of choices, and having a menu of navigation options on your landing page will improve your Quality Score. “If users go to a landing page, they usually want more information,” Vallaeys says. “They may want to explore the site, and if they can’t they become frustrated. That will be reflected in a poorer landing page Quality Score.” 6. Tell about yourself. Does your site have prominent links to an “about us” (or “company”) section? And does it offer a privacy policy anyplace users are asked to enter information such as their e-mail addresses? If the answer to either question is no, your Quality Score will suffer. “We want our advertisers to offer transparency,” Vallaeys explains. “And if users are going to give you their data, we prefer to see a good privacy policy and no-spam policy in place.” 7. Make sure your pages load quickly. “If a page loads too slowly, that’s not a great user experience,” Vallaeys says. “That’s one specific area we tell advertisers to look at, and if your landing page is loading slowly, put up a bigger server, change hosting companies, or change the graphics on the page.” “Site up time is critical,” adds Kenneth Wisnefski, founder and CEO of online marketing firm WebiMax. “Even small down times that are otherwise unnoticeable are picked up by Google’s automatic quality checks. Obviously, if Google checks a landing page and it’s down, by definition it’s not relevant and there’s a high probability of a Quality Score penalty.” To keep this from happening to you, he advises, “Consider using a site monitoring service. And if necessary, changing to a different provider.”  

Instant Gratification

The camera has gone through quite an evolution over the past generation. Twenty years ago, Polaroids were still state-of-the-art. That evolved to the 35mm standard, throwaway cameras and digital pictures. The next level is cameras that can talk to your company’s computer without being physically connected. These new wireless digital cameras have a number of business applications in the fast-paced world of entrepreneurs. Send photos from a product demonstration on the road so that your Web page can be updated in near real-time. E-mail pictures from a company award ceremony in London to rally the troops in Mountain View, Ca. Shoot and print out photos for a presentation and have them ready in the time it used to take to import digital photos over a cable to a PC. How does this work? In the same way your laptop is able to wirelessly connect to the Internet, camera designers are incorporating Wi-Fi wireless modems right into their latest digital photographic devices. This technology enables them to seamlessly communicate with other devices, such as computers and printers. For example, the Kodak EasyShare-One (4 GB for $199.95, 6 GB for $299.95 at www.kodak.com) uses its Wi-Fi to transfer pictures and video to your computer. Using the extensive interactive display, you can also e-mail pictures directly from the camera while you’re still on the road without having to find a local computer. It is also compatible with Kodak printers for easy prints. Similarly, the Nikon Coolpix P1 and lower-end P2 ($549.95 and $399.95 at www.nikonusa.com) will talk with your computer and printer. The Coolpix models also have a Wireless Live Transfer, which will move pictures instantly to the computer as they are captured. The Kodak and the Coolpix cameras use IEEE 802.11b and 802.11g, the standard Wi-Fi technologies. Nearly any computer with a wireless modem should work fine with these devices. Will they get cheaper? Prices may drop but probably not by much. The Kodak EasyShare-One seems to already target the low-end camera market, and getting a nice standard digital camera will run more than the cheapest EasyShare-One. Nikon’s prime market is professional photographers — the $399.95 Coolpix P2 is low by their standards. More important, there aren’t any other notable companies making Wi-Fi cameras. No competition means that they can set the price as they see fit. Any complications? There are not as many downsides to upgrading to this new technology. To ensure compatibility, buy the same brand throughout. The Kodak camera may not want to talk to the Canon printer, for example. Getting new equipment could get expensive. Second, every company has its own way of doing things. When you send a photo to a friend, the e-mail he or she gets is actually a link to the respective manufacturers’ online photo gallery. Most companies, including non-camera maker AOL, have their own online setup that must be used. The camera’s open interface also can leave your computer more vulnerable to attacks. A recent report found that the Nikon Coolpix P1 Wi-Fi opened up a pathway wide enough for hackers to breach the corresponding computer. That may be reason enough to wait on getting one until the next camera upgrade solves that problem, although the technology is exciting enough that security features will likely soon be addressed by manufacturers.

Upstarts: Digital Photography

Photo Opportunities Digital-photo start-ups get ready for their close-up By the time Mark Platshon landed a meeting with celebrated Kleiner Perkins venture capitalist John Doerr in mid-1999, Platshon and his online digital-photo business, Zing Network Inc., had already been snubbed by a dozen other VCs. So Platshon couldn’t help bracing for rejection when — midway through his pitch — Doerr walked out and began rummaging around in an adjoining office. But as suddenly as he had exited Doerr rushed back in, hastily pulling a brand-new digital camera out of its box. Finding nothing in the accompanying literature about uploading, accessing, and distributing digital images on the Internet — a major component of Zing’s business — Doerr concluded that Platshon had hit on a missed market opportunity. Kleiner Perkins took the lead in a $14-million round of financing for Zing that closed in August 1999. “Doerr just got it,” remembers Platshon. “He understood the significance of the consumer shift to digital photography and that it would remake the entire industry in just a few years.” Indeed, Boston-based InfoTrends Research Group Inc. projects that online photofinishing will be a $4.4-billion worldwide market by 2005. The start-ups jostling for position in this emerging field have staked their claims in slightly different territories. Some have opted to become digital photo processors, creating hard-copy prints of film and digital media, and uploading digital images to the Web. (See “Someday Your Prints Will Come,” below.) Others, including San Francisco-based Zing, outsource their customers’ printing needs and focus on Web-based storage and sharing of digital images. A collage of services Among storage-and-sharing sites, Zing’s stands out for garnering some 3.5 million users each month. That’s quite a following, considering that three years ago the company was headed in a completely different direction. When Platshon stepped in as CEO, in December 1997 — after a yearlong stint with Zing investor Alloy Ventures Inc., in Palo Alto — the company was developing imaging technology for use in Web-based advertising. But by late 1998, Platshon saw a bigger market for online photography management as part of an Internet business for uploading, storing, and sharing digital images. “And so,” he says, “we changed the business.” Since making that shift, Platshon has made acquisitions a major part of Zing’s growth strategy. He began by purchasing image-uploading technology developed by FotoNation Inc. that provides a camera-to-Web connection, enabling digital photographers to plug their cameras into computers and connect through the Internet directly with Zing. Platshon has also sealed deals with manufacturers that have agreed to install FotoNation’s uploading technology in their cameras, making Zing the default Internet destination for users of digital cameras sold by Sony, Casio, and Nikon. Those deals are driving customers to Zing’s site, where product E-tailing accounts for some two-thirds of revenues, Platshon says. In E-tailing, too, he has bought his way into the business. Last January, Zing acquired Pix.com, which scans digital images onto everything from calendars and cookies to mouse pads and T-shirts. Platshon added another source of E-commerce revenues in August, when he snapped up Eframes.com, a high-margin, high-end framing business that handles its own digital printing. That deal may enable Zing to collect revenues from competitors that outsource printing and framing services to Eframes, which has retained its name within the Zing network. “Eframes can provide its services to anyone, even businesses that might be Zing competitors,” Platshon says. Enjoying its Kodak moment In contrast with Zing, which has focused exclusively on digital converts, San Francisco-based PhotoPoint Corp. has positioned itself as a go-between for film users who are just now beginning to go digital. Launched in August 1998, PhotoPoint seized an early-mover advantage in the online photo-sharing space through a partnership with PictureVision Inc., a subsidiary of Eastman Kodak Co. In that deal, PhotoPoint CEO Ed Bernstein agreed to pay Kodak a flat fee in exchange for access to the film- and digital-camera users who bring their pictures to 40,000 Kodak PhotoNet processing locations throughout the country. Bernstein proposed the deal as a way for Kodak’s digital-development division to provide its customers with long-term Internet-based storage, sharing, and image-enhancement tools. Because PhotoPoint provides free long-term storage for Kodak’s brick-and-mortar retail customers, the Kodak retailers stand to get more reprint orders over a longer time period, Bernstein says. And PhotoPoint enjoys direct access to established Kodak customers. As Bernstein sees it, PhotoPoint’s tie-in with an old-economy film-industry giant is the surest way to build market share in the burgeoning digital field. Close to 90% of camera users have yet to take the digital leap, after all. And although digital-camera sales are predicted to soar, a survey by Jupiter Communications Inc. found that 37% of consumers would rather store digital images at home than post them on the Web. Bernstein is betting that PhotoPoint can leverage Kodak’s trusted brand name to reduce such consumer wariness. When Kodak customers pick up their prints, they receive directions on how to transfer digital versions of their pictures from a Kodak site — where the images are stored at no charge for 30 days — to the PhotoPoint site, where they can get free long-term storage, as well as find tools to create and share online albums, and buy PhotoPoint merchandise. “We’re all about making it brain-dead simple to get your digital images to the Web,” says Bernstein, noting that PhotoPoint now hosts more than 13 million photos. For PhotoPoint, Zing, and their competitors, consumer education remains the biggest and most daunting hurdle. As Bernstein puts it: “Our mission is to transform customers into digital users without fundamentally changing the way they think about and use pictures.” D.M. Osborne is a senior writer at Inc. Someday Your Prints Will Come Serial entrepreneur Kamran Mohsenin eased into the summer of 1999 with time on his hands. Having recently sold his second start-up, Mohsenin was scanning the landscape for a new business venture and playing with one of the toys he bought with the spoils of his company’s sale — a new digital camera. “The camera was taking great pictures,” Mohsenin recalls. “The problem was, I wasn’t able to get quality prints.” In a flash, Mohsenin hit on the idea for his third and most recent start-up, Ofoto Inc. Soon, Mohsenin was caught up in a heated race among online digital photofinishers, including Shutterfly.com. “It’s a huge market, and the competition is fierce,” observes David Hornick, who is on Ofoto’s advisory board. Founded in July 1999, Ofoto, based in Berkeley, Calif., has adopted a clicks-and-bricks business model. Like Shutterfly, Ofoto has invested millions in terra firma photo-development labs. At the same time, online photofinishers have seized upon technological advances to carve out an Internet-based niche in the photo-processing market, which has traditionally been dominated by industry giants like Eastman Kodak Co. To the extent that these nimble start-ups can secure a foothold — and create new, Web-based efficiencies — before bigger competitors lumber into the market, their payout could be huge. Margins in the traditional photo-development business typically run as high as 50%. Thus the game right now is all about grabbing market share. Toward that end, Ofoto and Shutterfly are competing to become the photo processor of choice for a bundle of other start-ups that outsource printing for their online photo storage and sharing. At the same time Ofoto and Shutterfly are reaching out to picture takers of all stripes by offering steep discounts on old-fashioned film processing (returning prints by snail mail), as well as digitizing the images for online viewing and distribution. It’s an updated twist on a low-cost, mail-order film-processing service popularized a few years ago by Seattle Film Works, recently renamed PhotoWorks Inc., in its own bid to straddle the digital divide. For its part, Ofoto has concentrated on high-level business-to-business partnerships. It’s teamed up with InfoSpace Inc., for example, to become the preferred print shop for that company’s affiliate network of 2,500 Web-based businesses, which provide communications and commerce infrastructure services for wireless devices. Ofoto has also sealed a deal to print the digital images sold through the Internet division of Corbis Corp., which boasts an online archive of 2.1 million images — from fine art to quirky photography. Meanwhile, Shutterfly, based in Redwood City, Calif., has gone directly after consumers. Since cofounding Shutterfly, in December 1999, CEO Jayne Spiegelman has cut cross-promotional deals with such portals as Yahoo and Homestead.com. Spiegelman, who hails from senior-level retailing posts at the Good Guys and Macy’s West, has also persuaded electronics retail outlets to display Shutterfly’s sample prints at camera counters. “We wanted to connect with customers at the point of purchase,” she says. Market Snapshots A sampling of other digital-photography players Snapfish.com, San Francisco Business concept: Offers basic printing and digitizing of film images free of charge. Depends primarily on advertising revenues but also sells photo equipment and merchandise and charges for reprints. Competitive advantage: A superlow price point and a catchy marketing campaign engineered by a branding expert with experience at Kraft and Nabisco. Major challenge: Proving its advertising-revenue model, which has fallen out of favor among investors. Also, to access image files stored on the site, customers must provide demographic information used for advertising purposes. eMemories Inc., Los Angeles Business concept: Enables amateur photographers to create online photo albums. Makes money selling hard-copy prints and albums. Competitive advantage: Being the exclusive photo-sharing community for the Women.com network and the teen site Alloy.com, and securing a slot on the Earthlink personal start page. Major challenge: Beefing up its E-commerce offerings. At press time, eMemories’ merchandise was limited to mouse pads, mugs, hats, and T-shirts. DotPhoto Inc., West Trenton, N.J. Business concept: Allows digital-camera users to upload images, create their own voice-over “captions,” and share pictures through E-mail links. An ad-free site, DotPhoto offers a sliding-scale subscription-fee plan that may appeal to people who don’t want to be bombarded with marketing come-ons. Competitive advantage: Its proprietary “talking pictures” technology. DotPhoto is the first site of its kind to accept both image and sound files from digital devices. Major challenge: Gaining traction and getting noticed. A relative latecomer to the market, DotPhoto is funded by founder Glenn Paul and carries less clout with prospective partners than its venture-backed competitors do. Q&A The Big Picture Can these digital-photo start-ups successfully take on the Kodaks and Fujis of the world? The outlook might best be described as blurry. To help us bring this expanding and highly competitive space into focus, Inc. spoke to Lia Schubert, an analyst at Boston-based InfoTrends Research Group who follows developments in the online digital-image arena very closely. Q: Some entrepreneurs describe what’s happening in the online digital-image domain as a renaissance in the photography business. What’s your reaction? A: Yes, we’re seeing all the signs of a renaissance. Digital photography combined with the Internet is creating a paradigm shift in the way personal pictures are captured, shared, stored, and printed. New players are coming out of the woodwork with innovative business models. We’re seeing renewed interest in photography as a result. Q: Traditional photo processors are expected to offer digital photofinishing services in their retail centers. How can these start-ups compete with them? A: The key advantage that online photofinishers have is that they’ve already developed their services before retail solutions have been actively promoted. Online photofinishers are reaching out to digital-camera users through strategic partnerships and free-print promotions, teaching those users that it is possible to order photo-quality prints online. If the online start-ups can gain significant mind share before retail services become more competitive, then they may be able to lock in a certain portion of the market. Q: How big a slice of that market do you expect the start-ups to capture? A: It would be too speculative to predict a precise number right now. Start-ups will succeed according to their ability to secure the capital necessary to scale up their operations and to draw in and retain members. But it’s safe to say that traditional photofinishers, like Fuji and Kodak, will garner a significant portion of market share. Please e-mail your comments to editors@inc.com.

When Something Clicks

Editor’s introduction: Sometimes it seems as if the Web has turned the world upside down. In the hype-ridden landscape called “dot-com,” it’s easy to assume that only the young, the new, the original idea conceived by two kids in their basement will survive. Out with the old. How untrue that is. The two companies profiled here, Plural in ” The Metamorphosis” and Camera World in “When Something Clicks,” are hardly start-ups. Their leaders have been running steady, profitable companies for years. They’re taking those years of experience managing entrepreneurial brick-and-mortar companies and using every ounce of their knowledge to transform their businesses into winners in the online world. CEO Roy Wetterstrom, never a guy to fear change, is rebirthing his 11-year-old company to take great advantage of the new economy. And Camera World has built on its 22 years of experience fulfilling customers’ expectations to transform itself into an E-commerce business. BRAVE NEW COMPANIES Over 22 years Camera World Co. honed its expertise in fulfillment, customer service, and supplier relationships. Today, as Cameraworld.com, it can teach Internet start-ups a thing or two about what matters most It’s a sodden, gray pre-Christmas workday in Portland, Oreg., but the jeans-sporting photographers who handle incoming calls at Camera World Co. (a.k.a. Cameraworld.com) are oblivious to the weather. Sitting in their white cubicles, they dispel the clouds with their cheerful “Thanks for calling Cameraworld- dot-com!” They repeat order information and occasionally murmur soothing guidance to Ansel Adams wanna-bes on the other end of the line, who need to know things like the difference between the Hasselblad 203FE Medium Format Chrome single-lens reflex camera and the 202FA model. In the 20,000-square-foot warehouse behind the front office, 15 workers scurry down long concrete aisles, clutching sales orders fresh off the network printer. To the casual observer, these warehouse folk seem to have X-ray eyes. Quickly scanning the metal racks loaded with thousands of indistinguishable-looking boxes of equipment, they have an uncanny ability to tell a box holding a $10,000 lens from a virtually identical package bearing a $1,000 one. When they locate the box they’re after, they place it in a plastic tub; a bar-code check at the packing station ensures that the order is complete. There, a young man nodding to rock music on a boom box pours Styrofoam peanuts into labeled cardboard shipping boxes and then seals the goods with a deft pull and twist of tape. Camera World’s order-fulfillment and delivery systems have stood the company in good stead. During the 1999 holiday season many of the company’s stalwart 300,000 customers came back and spent an average of $600 a pop. And thanks largely to the explosion of interest in digital cameras, sales soared last year, growing from $80 million in 1998 to more than $115 million. Last December the company’s Web site handled an average of 25,000 unique users a day, and Web sales rose by 245% over the previous year’s figure for the month. (At the same time mail-order business shot up 67%, and sales at the company’s downtown Portland store were up 22%.) Some 90% of Web and mail-order shipments left the warehouse within 24 hours. Return rates for Web sales hovered around 4%, paralleling the rate of returns from the store and the mail-order business. “We maintained heavy inventories to ship on time, and it all worked pretty well,” says Camera World’s new CEO, Terry Strom. “But one thing’s for sure: the Internet is raising the standard of performance for any retailer.” No kidding. This past Christmas season, during which shoppers spent an estimated $6 billion online, saw many a Web site disappointing customers. According to a November 1999 report by the New York City Internet research firm Jupiter Communications, 46% of business-to-consumer Web sites took five or more days to respond to a query, never responded, or failed to post an E-mail address on the site for customers’ inquiries. “If we didn’t make our goals,” says Walt Mulvey, “we couldn’t make payroll.” “An awful lot of Web sites don’t realize that customer service should be a priority,” says Jupiter analyst Cormac Foster. “They focus on customer acquisition but don’t spend time on the unsexy stuff, like customer-support infrastructure. Infrastructure doesn’t get you headlines, but if you don’t have a staff of people to take care of business behind the firewall, you won’t get much.” Case in point: Toys “R” Us, whose online subsidiary ToysRUs.com (announced with great fanfare in June 1998) found itself suffocating under the rush of online holiday traffic and was unable to fulfill orders on time. The company’s back-end infrastructure was built to send truckloads of products to hundreds of stores — not to ship single orders to millions of consumers. Don’t call Camera World a “click-and-mortar” or an old-fashioned retailer with a Johnny-come-lately Web site. Call it, rather, a dot-com with lots of back-end “not-com” experience. Camera World has long known that the boring stuff — attention to the fine details of customer service, simple and solid fulfillment processes, and trusted supplier relationships — is what really matters. Unless you master those three areas well before you put up a Web site, no amount of bells and whistles or transactional and design prowess online will make the Web component of your business successful. To understand how Cameraworld.com operates, view the company through a wide-angle lens. Founded in 1977 by a Korean-born businessman, Jack Shin, Camera World began as a 4,000-square-foot mom-and-pop shop for shutterbugs in a musty downtown area of Oregon’s sprawling, river-straddling city. Shin had come to Portland by way of New Jersey, where for about two years he’d owned a camera store that catered to well-heeled amateur photographers with National Geographic daydreams. From the moment he began his business until the day he said good-bye to Camera World in 1997, Shin refused to sell the cheap “gray market” goods that many dealers were hawking at the time — a practice that stood him in excellent stead with his suppliers. ( Gray market refers to goods that are not meant to be sold in the United States and generally are not covered by warranties.) Building on the relationships he’d established in New Jersey, Shin developed close contacts with executives from Fuji, Canon, Nikon, and the other rulers of the photo world. Ultimately, he constructed an intimate universe comprising 15 primary suppliers. “The gray market is a big problem for the industry,” says Eliott Peck, director and general manager of the camera division of Canon USA. “Canon has had an excellent relationship with Camera World because the company adds value to our products. It’s always provided the best customer support, sold only fresh merchandise, stocked all our products, and had very loyal repeat customers.” On a scale of 1 to 10 among camera dealers, Peck adds, “I’ve always given them a 10.” In return, the manufacturers saw to it that Shin was first in line to receive new or on-order stock. The Internet is raising the standard for retailers. Shortly after opening the retail store, Shin added a mail-order component to the business. “Mail order was easy — we didn’t have to speak much English,” explains Young Ui Shin, who acted as her husband’s business partner and interpreter. The Shins and Young Ui’s brother ran the mail-order business in a space five floors above Camera World’s street-level retail store, which also doubled as a warehouse. Their goal was for customers to receive their merchandise within five days of placing their order, compared with the standard mail-order lag of three to six weeks. Within 10 years the company was earning close to 70% of its revenues from the distant customers it reached through back-of-the-book advertisements in magazines like Popular Photography. On the back end, Shin put together a supersimple order-fulfillment and shipping infrastructure that the company still uses today. Prior to computerization, sales staffers would write a phone order on paper, then send along a copy to the warehouse for picking, packing, and shipping. Working with those paper “pick tickets,” warehouse workers would pull the cameras and lenses (and occasionally camcorders and televisions, which Camera World also sold) from the shelves and place them in plastic tubs. Before the items were packed, other workers checked to make sure that the products matched the order, recorded the product serial numbers, and filled out a receipt. Then shippers packed the items and loaded the boxes onto a waiting UPS truck, which carted off the packages every afternoon. If an item was out of stock, the warehouse workers would pass the information along to the sales reps, who would find out from Shin when the shelves would be replenished, so they could tell the customer when to expect the order. Returns were handled similarly: When a customer called, a sales staffer issued a return number and ordered a UPS pickup at the customer site. When the product came in, the return number was recorded; if the package had been opened, the product was sold at discount, since it could not be returned to the manufacturer or sold as new. The paper-based system stayed in place until 1992, when Shin discovered that a networked computer system could increase efficiency. He purchased a set of Compaq 386 computers, one of which was installed in the warehouse area, and a Platinum database-management system for which he had a consultant design a unique order-fulfillment, inventory, and shipping program. Using the new system, salespeople keyed in orders on PCs at their desks. Hourly, a warehouse worker would download and print out a batch of orders for picking and packing. The computerized system allowed Camera World’s sales reps to maintain an easy-to-access record of customer purchases; it also allowed Shin to keep better track of inventory and to speed up deliveries. The Shins’ five-day shipping goal had become a consistent reality. Shortly thereafter, Shin added a bar-coding system. By passing a wand over the various products prior to packing them up, workers were able to match orders in the database to actual shipments, and the inventory manager was able to see which models had gone out the door. From the get-go, Shin went the extra mile for his customers, retail and mail-order alike. He staffed the phones with a sales force of professional photographers (or photographers with day jobs), who could guide callers through the technical complexities of camera selection. If customers weren’t happy with their purchases, they could return them for a full refund, no questions asked. In one instance, a company selling five-year extended warranties on Camera World’s equipment went belly-up. Though Shin was under no obligation to do so, he set up a fund to cover the cost of repairs for the customers who were left hanging. “We make customers very happy, and they remember we give service, service, service. Repeat customers big part of our business,” Shin recalls in emphatic, if stilted, English. “We never cheat. If customers happy with service, they trust us.” “We had to completely change the mentality of the organization,” says Mulvey. In the early 1990s, despite Camera World’s computerization, a confluence of external and internal problems began to slow the company’s growth. The market for the high-quality 35mm single-lens reflex (SLR) cameras in which the company specialized had flattened by the late 1980s and stayed that way, thanks to a saturated market and a recession. Until digital cameras appeared on the scene, in 1998, the market for SLRs never moved substantially beyond the 700,000-units-per-annum mark. By 1999, according the Boston-based market-research firm Lyra Research Inc., the number of 35mm SLRs sold in the United States had actually declined to 600,000. Shin’s management style also kept Camera World from rising off that plateau. His operations gave new meaning to the phrase lean and mean. He selected office supplies, shipping companies, telephone services, and other necessities on the basis of low price, and replaced equipment only when it fell apart. The company had long outgrown its warehouse, but Shin balked at moving from the low-rent building. “Mr. Shin ruled with an iron fist,” says the company’s longtime buyer, Shawn Weishaar. From a glassed-in loft perched above the retail store, Shin would keep a sharp, Big Brother­like eye on his workers’ activities. Employees did stay — they were well paid by Portland standards — but because promotions were few and far between, their motivation waned as the years passed. “Mr. Shin had great insight, but he didn’t allow mistakes,” says Weishaar. “He wanted full control over everything.” In 1996, frustrated by flat sales and worn out by the demands of the business (according to company veterans, Shin never took a day off in all his years at Camera World), Shin decided to sell. He hired a retail-management veteran, Walt Mulvey, to help ready the company for sale. A former banker who’d had experience in helping stagnant companies improve their operations, Mulvey saw a profitable company with a good reputation — but one with cramped quarters and lackluster employees. Mulvey reorganized, setting up an incentive program and a “no-blame” management system that allowed workers to air problems openly. Within a year, sales had climbed 31%, and Mulvey helped Shin put out the word that the company was for sale. Word of the sale reached Alessandro Mina. A gentle native of Sweden who’d lived in Italy, Switzerland, and France, the multilingual entrepreneur came to the United States in 1989, at the age of 27. While working on his M.B.A. at Stanford, he embarked on an investment project with two fellow European students. In 1993 the trio founded Sverica International, an investment fund designed to help transform old-fashioned companies into aggressive-growth companies and often into Web-based businesses, and rounded up contributors. Camera World “fit all our criteria,” Mina recalls. “It was profitable. Sales were stagnant, but there was growth opportunity. The owner was retiring, and there was a successful mail-order business in place. It had a huge database of happy customers who came to Camera World in the same way people go to Amazon.com for books or Dell Computer for computers — they go there pretty much knowing what they want. I held the view that Internet and mail-order sales are basically the same that way, so I thought it had all the ingredients for a great Web business.” Another plus: Camera World had a sound infrastructure; there was no need to develop one from scratch. The company had already figured out how to take in orders, process them, and ship them out. Moreover, Shin had long-established relationships with top-tier suppliers and innovative systems in place to provide customer service. The company even had a Web site, though visitors couldn’t use it to buy products. And unlike any pure-play dot-com, Camera World had the unheard-of pedigree of profitability. “We saw this terrific sleeper and thought we could turn it into a full-fledged Net business,” Mina recalls. Mina and his colleagues bought Camera World Co. and named the online arm Cameraworld.com. Temporarily taking over the reins as CEO, Mina — along with Mulvey, who stayed on as chief operating officer — set about morphing the company from a primarily mail-order business into a primarily online business, knowing that companies like Dell (which had gone from no revenues to $26 billion in 15 short years) had followed the same path. As Mina had predicted, the path was clear of the thorny issues that trip up novices. The niche was already nailed: unlike pure dot-commers, he didn’t have to spend time and money on brand development, market research, and focus groups. Mina and company preserved and expanded the long-standing relationships with suppliers and customers that Shin had built. “We made it a point to visit every supplier personally, take them out to dinner, and assure them that the business would continue,” Mina says. “Walt and Alessandro had a vision,” says Canon’s Peck. “At first we had some doubts about their ability to take over the business and move it to the Net, but they were able to build on the infrastructure to handle it.” The nitty-gritty back end has come to matter enormously to investors. In forging a new business plan for the company, Mina spelled out his goals. For starters, the company’s Web pages would have to be transformed from simple brochureware into a true transaction site. And its back-end systems would have to be married to whatever happened on the Web. The company itself would have to move into a larger, better-organized space, with a warehouse that would allow orders to be shipped within 24 hours, as opposed to the five days required by the mail-order business. “We wanted to one-up everyone else,” Mina says. “To speed everything up, we had to cut out obstacles. We needed to staff up, to fix the bugs in the computer systems, to upgrade the telephone systems for more lines. In the past Mr. Shin had to check everything. Things were duplicated. We decided to streamline processes and empower people.” The toughest challenge was time. Mina wanted Cameraworld.com to become the leading online vendor of cameras — before a competitor could. “We had to completely change the mentality of the organization, from collect-a-paycheck mode to survival mode,” says Mulvey. “We ran the company on two urgent premises: We assumed that there was a competitor out there who would beat us to market with the biggest Web site in the world. And we told ourselves that if we didn’t make our goals, we couldn’t make payroll.” Camera World moved to a less expensive location in Portland four times the size of its former quarters. Though the order-fulfillment process remained the same, Mina and Mulvey reorganized the warehouse to speed up shipping. Frequently ordered products, like film, were kept closest to the packing and shipping stations, while rarely ordered equipment was kept in the back. The company added inventory and packing stations; instead of one packing station, for example, it now had four. And it upped the number of PCs in the warehouse from one to five. The move, Mina estimates, saved the company $7,000 a month in rent and about $4,000 in reduced manpower requirements in the shipping, receiving, and returns departments. (The displaced employees were reassigned elsewhere in the company.) “Because the warehouse was larger and better organized, we made more shipments on time with fewer errors,” he says. To turn the existing, 300-visitor-a-day Web site into an E-commerce factory, Camera World hired the company that had designed its original Web site, Web Northwest. With just six months in which to transform the site, Web Northwest owner Pete Chiboucas teamed up with a Camera World veteran, Internet administrator Gil Rocha, and together the pair hand-coded the pages as Active Server Pages to create a visually appealing, highly interactive site. Visitors could click on an image of a camera, a lens, or another product and order it using a shopping cart. The Webmeisters also cranked up the fire under the site, spending $20,000 to install a network of six high-powered Windows NT-based servers that could handle thousands of concurrent users at a time. Today Camera World’s site, which costs roughly $10,000 a month to maintain, handles at least 15,000 unique visitors and 400 transactions a day. It’s now a full-fledged community for shutterbugs. It keeps visitors interested with increasingly snazzy features — 3-D images of featured products, an online auction area, forums, online chats with celebrated photographers, a selection “wizard” that helps customers choose the right camera by assessing their expertise and frequency of use, and so on. Customers can also get quick answers to their E-mailed questions. Professional photographers respond to them by E-mail or phone — and customers even receive a notice via E-mail showing them where their question is in the queue. (“We try to get back to them within 24 hours,” says Rocha.) And for those who eschew telephone handsets, an Internet-telephony feature lets customers whose computers are equipped with a sound card and a microphone connect over the Internet to talk with the sales and support staff. When a customer orders a camera through the Web site, the transaction is zapped from the servers to the order-fulfillment database via a dedicated high-speed T1 line. A software interface between the Web site and the database reads the order and translates it into the order-entry system. Sales reps, customer-support personnel, and shippers and other warehouse workers can review the order by tapping into Camera World’s database from PCs. Every few hours, warehouse personnel print out a batch of 50 or so orders. Rush orders are printed on red paper; white paper signifies a standard UPS ground order. After a worker locates the correct product and places it in a plastic tub along with the paper order, he carts it to the shipping station, where the bar-code checking occurs. If the bar code doesn’t match the order, a computer screen at the station notes the mismatch. If the match is correct, the inventory database records the product model number; when inventory reaches a low-enough level, Camera World reorders. Once the product is packaged for shipping, it’s loaded onto a waiting UPS van, which departs at the end of the day. Meanwhile, an E-mail message is sent to the customer, noting the time the package is scheduled to ship. Using a confirmation number supplied by the company, the customer can check the Web site to track the order. Picking and shipping, of course, are hardly sexy stuff. But in the crazed world of cyberspace, the nitty-gritty back end has come to matter enormously — especially to prospective investors. “Back in 1996, when I was looking at Camera World, the guiding principle for Internet start-ups — according to venture capitalists — was to start from scratch with the model based on the new paradigm, and everything traditional was bad,” Mina recalls. “Early on, VCs were not interested in us because we had a history. But now infrastructure, customer service, and the ability to ship on time with inventory on hand are all key elements when the VCs come knocking.” So far, Camera World is keeping customers happy. “The consensus is that there are a few retailers out there that have a great reputation and that Camera World is among the few,” says Richard Rabinowitz, vice-president and group publisher of Popular Photography and American Photo. One of the happiest customers is Aneel Bhusri, who — like Victor Kiam of the old Remington razor commercials — liked the company so much that he bought (into) it. Bhusri is a partner with Greylock, based in Palo Alto, Calif., one of the six venture-capital firms that have just poured $60 million into Cameraworld.com. (The other major investor is Technology Crossover Ventures, also of Palo Alto.) Bhusri also happens to be an amateur wildlife photographer and a repeat customer. “I bought my first camera from them four years ago, and their staff were very helpful in explaining the pros and cons of the different models,” he says. “I found it unique that their customer-service people were trained professionals.” Last summer, when Greylock was looking for a photography Web portal to back while casting an eye at a future initial public offering, Bhusri remembered Camera World. “I gave Alessandro a cold call,” he recalls. “I said, ‘I’ve been a customer for a while. Are you interested in outside capital to help the business?” The infusion from Greylock was welcome. The cash, the executives say, will allow the company to move to an even larger physical site this year, add more products to the 7,000 items it currently offers, hire 20 more sales and support people, and keep the computer system shipshape. The marketing mix will remain roughly the same as it has been for years — mailing out catalogs and advertising in photography publications, on the radio, on television, on the Web, and on outdoor billboards — “but it will scale up,” says vice-president of marketing Tom Steele. The venture funding also frees Mina, the serial entrepreneur, to hatch another company. “Alessandro did a fantastic job of running the company, but his goal was never to run Camera World for the rest of his life,” says Bhusri. “So he helped us look for a new CEO.” Bhusri and Mina chose a man who had lots of experience with fast-growth and Internet companies: Terry Strom, who had been the CEO of Egghead Software and the marketing vice-president for Digital River Inc., a Minnesota service provider for E-commerce sites. (Bhusri is now chairman of the board, and Mulvey has moved to the president’s office.) Mina, now living in Boston, is glad to let others grow the company. “Aneel, Terry, and Walt can take the company from an Internet start-up to an established E-commerce player,” he says. “I can go back to what I do best — finding good companies to invest in.” For his part, Bhusri is thrilled to be the rudder of a company that, as he says, “gets it.” “If you look at what makes a Web site successful, most of it is logistics,” he says. “Camera World had this figured out a long time ago. Why don’t others? I honestly don’t know the answer. These guys are rare. I think they can be the Dell of the camera business.” Bronwyn Fryer is a contributing writer for Inc. Technology. Read about another Brave New Company in ” The Metamorphosis“