Tag Archives: ESPN Inc.

Foursquare Introduces Event Check-ins

foursquare

Foursquare, the mobile check-in application, is adding event check-ins for movies, concerts, and sporting events. Now, a sports fans checking in at Yankee Stadium will also post information about what game he or she is at. If Foursquare could only add virtual heckling capabilities for when the Red Sox are in town, then we’d be talking. The company has partnered with ESPN, Movietickets.com, and Songkick for event information. READ MORE »

Can Bing Catch up with Google?

Fast Company reports on whether Microsoft Bing, the simplified search engine that replaced the aging search engine a while back, can ever catch up with the wholly dominate Google search engine. From the report: “According to reports, Bing’s market share has been steadily growing. Experian Hitwise says Bing’s searches increased 5 percent last month, with Bing-powered searches now accounting for nearly 26 percent of the market (that’s counting Yahoo, which uses Bing’s tech; comScore has the two combined totals at 28 percent). Year-over-year growth rate in December was 49.4 percent, according to Barclays, compared with just 20.6 percent for Google.” Can Bing Catch Google? Microsoft Spends Millions on ESPN, Jay-Z Partnerships [Fast Company]

Can Bing Catch up with Google?

Fast Company reports on whether Microsoft Bing, the simplified search engine that replaced the aging search engine a while back, can ever catch up with the wholly dominate Google search engine. From the report: “According to reports, Bing’s market share has been steadily growing. Experian Hitwise says Bing’s searches increased 5 percent last month, with Bing-powered searches now accounting for nearly 26 percent of the market (that’s counting Yahoo, which uses Bing’s tech; comScore has the two combined totals at 28 percent). Year-over-year growth rate in December was 49.4 percent, according to Barclays, compared with just 20.6 percent for Google.” Can Bing Catch Google? Microsoft Spends Millions on ESPN, Jay-Z Partnerships [Fast Company]

TV Advertising For the Rest of Us

The surfer glides across the face of a curling blue wave, a soothing guitar strumming in the background. The words performance, quality, and innovation flash across the screen, followed by a montage of attractive, suntanned men and women–each clutching a shiny new surfboard. The message is clear: Wouldn’t you like one of these boards too? The 30-second television spot, produced by Channel Islands Surfboards last fall, aired 432 times in the greater Santa Barbara area on six national cable channels, including ESPN and MTV. Channel Islands, the board of choice for perennial world champion Kelly Slater and other pros, had just opened a new retail store and wanted to spread the word. The TV ads did the trick, sparking a late-season rush that helped Channel Islands nearly double its expected retail sales for the final three months of 2005. Best of all was the campaign’s price tag: $3,000. “I still laugh when I think about how easy and affordable it was,” says Terri Merrick, who runs the company with her husband, Al. There’s a revolution going on in television advertising, led by an enterprising start-up called Spot Runner, which is making the fabled 30-second spot available to marketers of all sizes at prices starting at $499. The Los Angeles-based company, which was founded in March 2004 and went live last January, is the most recent creation of serial entrepreneurs Nick Grouf and David Waxman. During the Internet boom, the duo founded Firefly, which made tools for online collaboration, and PeoplePC, an early Internet service provider. Both companies, which were sold to Microsoft and EarthLink, respectively, harnessed the democratizing powers of the Internet, says Waxman. Now, with Spot Runner, he and Grouf have taken aim at making the power of Madison Avenue available to businesses of all sizes. Working with a team of advertising veterans, Spot Runner has created a library of thousands of professionally produced television commercials, complete with slick photography, music, and graphics. Using Spot Runner’s Web-based technology, marketers can go online, select the ad template they like, and customize it to suit the needs of their business. Once the spot has been produced, Spot Runner’s technology makes it easy to create a media plan. The company keeps an up-to-the-minute inventory of the blocks of time available on networks and cable channels nationwide–time slots that are a lot less expensive than you might think. Most 30-second time slots cost less than $100; the price can be as little as $10 in smaller markets. Using this tool, you can lay out an entire ad campaign with just a few mouse clicks. For Channel Islands, putting the campaign together was a simple three-step process. Using keywords such as “wave” and “surf,” Merrick scrolled through Spot Runner’s catalog to find a template to build her ad around. Spot Runner works with independent videographers and is constantly updating its library; for an extra fee, it will produce custom videos from scratch. Channel Islands paid an extra $99–for a total of about $600–to insert several custom images of its surfboards and an invitation to visit its new retail store into the ad. Spot in hand, Merrick moved on to selecting where and when her new commercial would run. Again using the Spot Runner interface, Merrick clicked on a calendar to see what time slots were available on what networks and how much they cost. For her first 12-week campaign, Merrick worked with a budget of about $2,500 to choose time slots and cable stations. Then, with a final click, she launched Channel Islands’ first foray into TV advertising. Total time from start to airtime: five days. Merrick was impressed by Spot Runner’s selection of pre-shot video clips, but advertising executives who make their living producing commercials say that the canned nature of the commercials could turn off potential customers. “The ads come across like they’re from the yellow pages,” says Tim Tennant, CEO of Conductor, an ad agency in Santa Monica, California, that won several awards last year for its AXE deodorant commercials. Chuck Porter, founder of Miami ad agency Crispin Porter + Bogusky, says the $499 price is right, but wonders if Channel Islands’ ad sets it apart from other marketers. “This is the same clip-art footage that auto dealers and lawyers have been using for years,” Porter says. Nevertheless, Merrick has been pleased with the results of her campaign. “We finally found a way to reach the parents who buy boards for their kids,” she says. When she dabbled with local newspaper and radio ads in the past, she found them to be expensive and ineffective. “The ads were always kind of hokey,” she says, “and didn’t reflect the quality of our product.” Now, she says, new customers come into the Channel Islands store raving about the company’s TV commercial. Indeed, Merrick is now preparing to roll out an even more ambitious, $10,000 campaign with Spot Runner this summer. The commercial, which will be updated to showcase Channel Islands’ newest boards, will be shown on family networks like Disney, in addition to the usual sports channels. Merrick is also thinking about running the ad in San Diego and other surfing hotbeds. “I never knew advertising could be so painless,” she says. Inc.com Darren Dahl discusses new trends in TV advertising at www.inc.com/video.

Calling All Sports Nuts

Any cell phone can fetch sports scores, but with Sanyo’s MVP you can follow every play, manage your fantasy team, and watch the latest video highlights. Sanyo designed the phone for ESPN’s new cellular service, set to launch nationwide this Super Bowl Sunday. It piggybacks on Sprint’s broadband network to deliver a SportsCenter-like experience at high speeds. The best part is the icon-based Sideline menu, which lets you jump from, say, live polls to your favorite team’s homepage. The handset has some nice highlights too: It comes with a 1.3 megapixel camera, speakerphone, stereo sound, a voice recorder, and an MP3 player. The MVP isn’t cheap, and pricing plans for ESPN Mobile start at $65 a month, which includes 35MB of data transfer. Plus, heavy users will probably want to upgrade the miniSD memory card from 16MB to 1GB ($105). But no other phone is optimized to download postgame video interviews, the Monday Night Football ring tone, and the Madden NFL 06 video game. $400, mobileespn.com

MD-TV

The Fourth Annual Inc Web Awards: Transformations Company: slp3D, in Hartford URL: www.slp3D.com What we liked: A regional TV-production company reinvents itself as an Internet broadcaster with a medical specialty and a nationwide audience Ross Joel and Peter Gailey were fed up with bad hours and bad news. Joel, an early-morning and weekend anchor at a Hartford NBC affiliate, and Gailey, a producer at the same station, had spent years covering fires, car wrecks, and blizzards. Both wanted out. So nine years ago Joel and Gailey quit and launched their own production company, Storyline Pictures (later updated to slp3D). The pair dreamed of creating James Cameron-style blockbusters. But with little call for such work in Connecticut, they focused instead on freelance TV and video projects. Working out of their homes at first, the two men produced shows for ESPN and Home & Garden Television, among others. They also made videos for clients as diverse as the Otis Elevator Co., Foxwoods Resort Casino, the Hartford Life Insurance Group, and a local hospital. “The TV shows were fun and high profile,” Joel recalls. “But the corporate programs had a much better profit margin.” With young families to support, the founders concentrated on wooing those deep-pocketed companies. But by the mid 1990s, even the corporate business had leveled off. As video equipment became cheaper and easier to use, competitors popped up everywhere. “You could throw a stick down the street and hit a dozen other production companies,” Gailey recalls. Meanwhile, the two former newshounds were hearing a lot about the Internet. After some digging, they discovered several emerging technologies, particularly streaming video and webcasting, that seemed tailored to TV-style presentations. Says Joel, “You’re just choosing a different medium for distribution.” Although the comparison made sense to Joel and Gailey, it took a while to persuade their clients. The jerky, crash-prone quality of early streaming video made matters worse. But as bandwidth increased, so did the quality of on-line video — and slp3D’s customers’ interest in the technology. As Joel and Gailey started scheduling Web projects, they noticed a pattern: about 75% of their gigs involved hospitals and surgical-equipment manufacturers. So in 1999 they further narrowed their niche. First, they went Internet-only, dropping the videotape part of their business. Second, they limited themselves to health-care clients, hoping to become that industry’s favorite venue for on-line video and webcasting. The strategy worked. Slp3D now has 17 employees and annual revenues of more than $2.8 million. The company has produced on-demand and live coverage of medical conferences, product launches, and surgeries ranging from cardiac catheterization to knee replacement. An slp3D video about groundbreaking diabetic foot surgery at a Boston hospital generated patient referrals from as far away as Croatia and Japan. Anne Stuart is a senior writer at Inc. The Fourth Annual Inc Web Awards Transformations Thank You for Sharing Paradise Found This Year’s Model The Search Engine MD-TV Please e-mail your comments to editors@inc.com.

Music to the People

The view from out there In September, Chuck D., front man since 1987 for the successful and often controversial rap group Public Enemy, launched a Web site – Rapstation.com – to help independent rap and hip-hop artists distribute their music. In the music business, as in so many others, technology is eliminating the traditional gatekeepers between those who create and those who consume. We asked how long it would be before a trip to the record store was a thing of the past. Downloadable music will be a no-brainer in two years; even the head of BMG is predicting the death of the CD. For listeners, programmed interactive radio and MP3 is a new way of getting to the product. Here are my alternatives: Do I stay home and make a copy of this music for $3 or be a fool and go spend $15 for this CD in a music store? Major labels now have to face reality and realize that they have to share the marketplace. A few years ago they wouldn’t consider sharing the marketplace. It’d be, “Hey, we wanna buy you out, or we just want to crush you.” This is where, I guess, the chickens have come home to shoot. The Web has been a saving grace for independent record labels, entrepreneurs, songwriters, and artists. It has given the artists’ community a reason to do what they do, a whole new way to have exposure without a major-label contract. Maybe four or five years ago, it was really looking bleak. Somebody would cut a song and have no outlet to expose it and have only a slim chance to have a major deal. That causes obvious frustrations. This is a fantastic opportunity from a position of ownership, as opposed to having some company giving you a royalty. You can definitely get by all the politics of the industry this way. Making your audience a participant in the process — that’s an unbelievable change. Unlike radio and television, we don’t have to do 24 hours of programming. The ability to archive makes a Web site different. In the past if you had a show go up at 9 o’clock and people didn’t get to it, you were disappointed and so were they. But if the show is archived for two weeks or even a month, people can check out your work anytime. It won’t just evaporate. So you won’t see as much wasted content as you did in the past with television. But when you’re dot-comming a situation, you need to focus on what you’re going to do and what you’re not going to do. We microfocus on the genre. We can split up rap and hip-hop into 20 subgenres. Despite a gigantic worldwide fan base, this is an underserviced genre. The Web allows us to expose the music. We want to be the ESPN of rap music and hip-hop. And that kind of says it all — text- and information-wise, news-wise, video-wise, radio-wise — for the new-artist community. The MP3 Jamz section is becoming a gigantic area for artists. We’re looking for a million artists and 500,000 labels by 2003. We have close to 1,000 MP3 artists now. It’s a full-service supersite for underserviced music. And this will bring to the table a whole community of people — graphic designers, tech people, and so on — who are becoming more a part of the music business than ever before. If you’re a new artist or new label, you go to the MP3 area and it tells you how to put your songs up, how to rip your CD into an MP3 file. When it comes down to the rap and hip-hop nation, cats have been using computers. They get acclimated. This music’s existence has come out of its use of technology — turntables, the mixers, the amps. It has always run parallel with the samplers, the synthesizers. This wouldn’t be any different: it’s parallel, glove on hand. But we’re not going to be a portal for all aspects of black culture, for fashion and all that. We’re not going to deal with that. “Digital Titanics” is what we call these portals that try to be everything to everybody. I don’t agree with that philosophy. –From an interview with Juliana Verdone For more insight on the current state of small business, see The View From Out There. Please e-mail your comments to editors@inc.com.

The Start-Up Diaries: The Player

A college student ditches the sport he’s worked his whole life to master for the dream of an Internet start-up Richie Powell is getting impatient. He’s just heard from one of his nine full-time employees that a key recruit has yet to accept what he regards as a generous offer. “He’s getting a nice equity stake in this place,” Powell proclaims. Let’s get the deal signed today, he tells Kofi Kankam, vice-president of business development. By this afternoon, if possible. Before 4, actually. “I want to leave early,” explains the cofounder, president, and CEO of FÚxito Worldwide Inc. “I have a lot of homework.” In that regard, at least, the 20-year-old Powell resembles any other college student. But Powell, a junior economics major at Harvard, recently ditched his spot on the varsity soccer team — his playing skill earned the native Jamaican a scholarship to Phillips Academy, in Andover, Mass., and helped him get accepted by Harvard — thereby disappointing both his coach and his father. “I have priorities,” he says. “I have a company to run.” That’s a fact anyone around him can’t easily forget. Every few minutes Powell’s cell phone beeps out Beethoven’s “Ode to Joy,” kicking him into high-pitch mode. The year-old company’s new headquarters consists of three freshly painted rooms in Cambridge, Mass., sandwiched between Harvard and MIT, institutions from which FÚxito draws not only employees but also its many interns. Powell wants to have his desk in a corner so that he can gaze out the window, fueling his fantasy of occupying “a big corporate office in New York.” For now he’s standing there, yakking on his cell phone. “I’m not worried about a couple of extra points in here,” Powell announces. “I want to see this thing go public by 2001 or be acquired in nine months.” In a less speculative era — the Roaring ’20s, say — FÚxito’s tender-aged team might have been dismissed as pretenders, merely playing at business until they get called in for a reality supper. But, then, isn’t this how a modern windfall-in-the-making is supposed to look? A gang of smart, focused, and energetic young folks (in this case, guys) who have taken an oath to rule whatever Internet “space” they’ve marked as their own. Sure, they’re in a hurry, but they’re not rushed. Powell knows, for instance, that it took another recent Cambridge-based entrepreneur, Warren Adams, almost two full years before he could sell his Internet start-up, PlanetAll, for $100 million. Powell has studied the get-rich-click set perhaps as diligently as he’s studied anything. “I really should study more,” he admits, suffocating a yawn. But, hey, Powell didn’t choose Harvard for its curriculum. A stock trader since the age of 12 who started an export and investment-management company after high school, he spied a more precious, and lasting, commodity on campus: contacts. “Harvard, to me, was all about the networking,” says Powell, who spent his freshman year crashing entrepreneur-related events. The plan for FÚxito is as much the product of Powell’s grandiose ambitions for himself as it is of anything he absorbed at those outings. Still, it was a nugget he picked up during a class led by an accomplished entrepreneur — “know your market,” the guru advised — that got the idea of a soccer-related start-up, appropriately enough, “running around in my head,” Powell recalls. Powell knew firsthand that in soccer “a lot of recruiting right now is by chance.” His venture, he decided in October 1998, would “drastically improve” that process, using the Internet to enable coaches to view demographic profiles and video clips of players. Two months later, Powell says, “everyone was excited” when he presented his five-page plan to 30 attendees of the Harvard Startups group. Oh, they did suggest that his pricing structure, which called for coaches to pay as much as $10,000 a year for access to an international database, might benefit from further market research. Powell had no trouble accepting their criticism because he hadn’t finished his market research. Nor had he really started it. “Richie understood the soccer market from the point of view of being a very good athlete, but he didn’t have a good foundation in business,” recalls John A. Clendenin, a senior lecturer at Harvard Business School who attended that presentation. But Powell rightly believes that “the passion I exude is an asset.” And one highly valued by Clendenin, who is also a sports psychologist. “There’s no substitute for enthusiasm, drive, desire, and determination,” Clendenin says. “Richie’s idea didn’t have any structure, but it was a good dream.” The dream of being part of an Internet start-up, any Internet start-up, has captivated the members of FÚxito’s management team nearly as much as its ever-evolving mission has. Sanjeeb Bhuyan, the company’s 22-year-old chief systems administrator, joined FÚxito in late June. A month later he was having dreams in which “we had sold the company for a lot of money, and we were all sitting around and talking about how we did it,” recounts Bhuyan, who is also earning a master’s degree in computer science at MIT. Powell says he’ll feel satisfied if FÚxito “gets sold for only $20 million.” Granted, it’s hard for anyone involved in such a breed of business to ignore the possibility of what Powell calls a “financial hit,” given the stories that are all around: Netscape, PointCast, Yahoo. Last summer those very companies were literally right around FÚxito, near the Sunnyvale, Calif., office that nine of the start-up’s staffers occupied — and more than half of them lived in — for two months. Once, at 5 a.m., Bhuyan suggested that Powell get some shut-eye. No, Powell replied, I’ll go to sleep when we do an IPO. “It felt like we had been taken away from everything and we were living in a FÚxito world,” says Bhuyan. It may have felt that way because FÚxito’s mission had expanded so grandly. Three months after Powell’s presentation, he contacted Daniel M. Hoffer, a Harvard senior who operated his own technology consulting firm. Hoffer heard the idea — and the magnitude of the technological challenges — and “within five minutes I was sold,” he says. “He had a great idea.” Powell believes that the idea was only part of the allure. “Once again I infected somebody with my passion and vision,” says Powell, who gained in Hoffer a cofounder and a chief operating officer. The two founders’ market research made Powell feel even more strongly that the site needed to have broad appeal, since an on-line soccer-recruiting tool was “not something you sell in 15 months for $150 million,” he says. What FÚxito needed to be was a venture aimed not at 3 million soccer coaches but at 3 billion soccer fans. (The company’s name combines the Spanish words for soccer and success and offers the added bonus of “sounding obscene, if you pronounce it wrong,” Hoffer says.) Given the scope of its aim, FÚxito also needed to be in “the heart of the start-up community,” as Powell says. So he and his team moved to Silicon Valley — briefly, anyway. But after consulting a lawyer, Powell learned that his visa required him to return to Harvard this past fall. Hoffer, who dropped out a semester shy of earning a B.A. in philosophy, theorizes that “it’s not bad from a publicity perspective to have this wonder boy in school who is running the company.” But from a money-raising perspective, it hasn’t helped. “No matter how good the idea is, it’s still an idea with a 20-year-old CEO who is a college student,” notes Clendenin, now a FÚxito board member. Right now, all that 20-year-old can say is, “We need money. But I try not to worry about it too much.” Like most other Internet entrepreneurs, he and Hoffer do worry about drawing traffic to their site. Live since the end of June, it has attracted far fewer user hits than hoped for. Working with Iconomy .com, a provider of E-commerce services for which Hoffer’s older brother David serves as chief operating officer and general counsel, the partners struggled to get the E-commerce component of the site up in time to generate holiday sales. Still, “there’s no way any broad-based E-tailer can focus on soccer the way they can,” notes Roger Cameron Wood, vice-president of E-commerce and global direct marketing at Reebok International. “FÚxito’s secret weapon is its focus.” Wood, who met FÚxito through Iconomy.com, says that Reebok has entered “a broad-based alliance” with the start-up. Clendenin, on leave from Harvard to launch an Internet business, is working to give FÚxito’s store “a competitive advantage” by applying principles he developed while managing the supply chain at Xerox Corp. Clendenin’s efforts are expected to yield prices at least 20% below FÚxito’s competitors’. “We’ve got some buzz going,” Hoffer says. Not enough, though. Right now, FÚxito’s brand-building strategy consists mainly of Powell’s dragging a three-by-six-foot banner to soccer matches, and an intern who systematically defiles the purity of chat-room dialogues by planting pro-FÚxito messages. Powell envisions sponsoring tournaments and camps, building kiosks in the United States and Latin America, and parking a multimedia van at matches. “There are a lot of breathless pitches out there, but Richie’s passion is not grafted on, and Daniel’s intellectual gifts are enormous and obvious,” says Wood. “Passion and gray matter on that level usually find a way of willing their way to success.” Which is why, last June, Wood joined FÚxito’s board — despite the circumstances of his invitation from Powell. “I called him in his dorm room, and he was definitely a little foggy,” Wood recalls. “I think he was recovering from exams.” Joshua Hyatt is a senior editor at Inc. Read the complete Start-Up Diaries series. Executive Summary COMPANY: FÚxito Worldwide Inc. FOUNDERS: Richard Powell, 20, president and CEO; and Daniel M. Hoffer, 22, chief operating officer and chief technology officer FAMILY: Both are single CONCEPT: Create the premier E-commerce site devoted to soccer, including news, free E-mail, discussion boards, contests, auctions, and a database for recruiting FINANCING: $300,000, mostly from three angels; seeking $8 million in venture capital PROJECTIONS: First year, $7 million in revenues, $4.1-million net loss; second year, $18 million in revenues, $4.3-million net loss; third year, $46 million in revenues, $1 million in earnings HURDLES: Given inexperienced management, being fleet-footed enough to raise the money needed to fulfill its aggressive plans. Better-heeled competitors, such as two-year-old Fogdog Sports, an on-line sporting-goods retailer positioned for an initial public offering, may be better equipped to establish market leadership in a fragmented industry. PERSONAL FUNDS INVESTED: $15,000 from Powell in stock trades and liquidated assets EQUITY HELD: Together the founders own a controlling interest. SALARY: Zip for both SOURCE OF IDEA: Powell’s extensive experience with the target market, which came from having played soccer on national teams in his native Jamaica BOARD OF ADVISERS: Nick Mehta, vice-president of marketing of Chipshot.com, an on-line golf retailer founded in a Harvard dorm; David Hoffer, chief operating officer and general counsel at Iconomy.com, a provider of E-commerce services; Seamus Malin, ESPN soccer analyst since 1979 and director of Harvard University’s International Office, formerly a leading scorer and then an assistant coach of Harvard’s soccer team; Steffan Berelowitz, founder and president of the Bit Group, a Boston-based Internet developer WHAT THEY DREAM ABOUT: That FÚxito has been acquired — first, at a price of exactly $170 millon, and then, in the sequel, for $250 million, says Powell WHAT THEY’LL DO IF THIS FAILS: “If we don’t succeed enough to retire, we’ll do it again,” Powell says. “I will be a millionaire off the Internet — if not through this company, then through another one.” SOURCE OF INSPIRATION: Seeing Netscape Communications Corp. cofounder Marc Andreessen, 24-year-old graduate-student-turned-jillionaire, on the cover of Time magazine in 1996 “made me realize I had to accelerate my personal plan” of making $1 million by age 30, Powell says. “I had to step things up.” ROLE MODEL: Bill Gates, for “having the right mix of technical and business savvy to turn Microsoft into a global giant. Every company would like to have Microsoft’s position in the marketplace.”